BLUEGRASS
& OLD TIME AMERICAN MUSIC
GIGS

Thursdays
at Centre Stage - Bournemouth for Bournemouth Folk Club

(below from Wikipedia)

Instrumentation

Bluegrass artists use a variety of stringed instruments to create a unique sound.

Unlike mainstream country music, bluegrass relies mostly on acoustic stringed instruments. The fiddle, five string banjo, acoustic guitar, mandolin, and upright bass are often joined by the resonator guitar (popularly known by the Dobro brand name). This instrumentation originated in rural dance bands and was being abandoned by those groups (in favor of blues and jazz ensembles) when picked up by European-American musicians.[1] Instrumental solos are improvised, and are frequently technically demanding. The Acoustic Guitar is now most commonly played with a flatpick unlike the style of Lester Flatt who used a thumb and finger pick. The style is known as flatpicking. The banjo players often use a three-finger style developed by Earl Scruggs.

Bluegrass musicians, fans, and scholars have long debated what instrumentation constitutes a bluegrass band. Since the term bluegrass came from Bill Monroe's band, The Blue Grass Boys, many consider the instruments used in his band the traditional bluegrass instruments. These were the mandolin (played by Monroe), the fiddle, guitar, banjo and upright bass. At times the musicians may perform gospel songs, singing four-part harmony and including no or sparse instrumentation (often with banjo players switching to lead guitar). Bluegrass bands have included instruments as diverse as the resonator guitar (Dobro), accordion, harmonica, piano, autoharp, drums, Drum kit, electric guitar, and electric versions of all other common bluegrass instruments, though these are considered to be more progressive and are a departure from the traditional bluegrass style.

Vocals

Besides instrumentation, a distinguishing characteristic of bluegrass is vocal harmony featuring two, three, or four parts, often featuring a dissonant or modal sound in the highest voice (see modal frame). This vocal style has been characterized as the "high lonesome sound." There is also an emphasis on traditional songs, often with sentimental or religious themes.

HISTORY

Bluegrass as a style developed during the mid-1940s. Because of war rationing, recording was limited during that time, and it would be most accurate to say that bluegrass was played some time after World War II, but no earlier. As with any musical genre, no one person can claim to have "invented" it. Rather, bluegrass is an amalgam of old-time music, country, ragtime and jazz. Nevertheless, bluegrass's beginnings can be traced to one band. Today Bill Monroe is referred to as the "founding father" of bluegrass music; the bluegrass style was named for his band, the Blue Grass Boys, formed in 1939. The 1945 addition of banjo player Earl Scruggs, who played with a three-finger roll originally developed by Snuffy Jenkins, but now almost universally known as "Scruggs style", is considered the key moment in the development of this genre. (Jenkins, in interviews, has renounced his role as being the one who invented the three-finger roll, and has said he learned it from Rex Brooks and Smith Hammett in the 1920s.)

Monroe's 1946 to 1948 band, which featured Scruggs, singer-guitarist Lester Flatt, fiddler Chubby Wise and bassist Howard Watts, also known as "Cedric Rainwater,"—sometimes called "the original bluegrass band"—created the definitive sound and instrumental configuration that remains a model to this day. By some arguments, as long as the Blue Grass Boys were the only band playing this music, it was just their unique style; it could not be considered a musical style until other bands began performing in similar fashion. In 1947, the Stanley Brothers recorded the traditional song "Molly and Tenbrooks" in the Blue Grass Boys' style, and this could also be pointed to as the beginning of bluegrass as a style. As Ralph Stanley himself says about the origins of the genre:

"Oh, (Monroe) was the first. But it wasn't called bluegrass back then. It was just called old time mountain hillbilly music. When they started doing the bluegrass festivals in 1965, everybody got together and wanted to know what to call the show, y'know. It was decided that since Bill was the oldest man, and was from the Bluegrass state of Kentucky and he had the Blue Grass Boys, it would be called 'bluegrass.'"[2]

Bluegrass was generally used for dancing in the rural areas, a dancing style known as buckdancing, flat-footing, or clogging, but eventually spread to more urban areas and became more popular. Bluegrass is typically performed on acoustic, non-electric instruments, since the genre originated before widespread availability of household electricity. Electric instruments were frowned upon by conservative country music people, like the founder of the Grand Ole Opry, George D. Hay. In 1948, bluegrass emerged as a genre within the post-war, country music industry. This period of time is characterized as the golden era, or wellsprings of "traditional bluegrass."

Bluegrass is not and never was folk music under a strict definition; however, the topical and narrative themes of many bluegrass songs are highly reminiscent of "folk music". In fact, many songs that are widely considered to be bluegrass are older works legitimately classified as folk or old-time music performed in a bluegrass style. From its earliest days to today, bluegrass has been recorded and performed by professional musicians. Although amateur bluegrass musicians and trends such as "parking-lot picking" are too important to be ignored, it is professional musicians who have set the direction of the style. While bluegrass is not folk music in that strict sense, the interplay between bluegrass music and folk forms has been studied. Folklorist Dr. Neil Rosenberg, for example, shows that most devoted bluegrass fans and musicians are familiar with traditional folk songs and old-time music and that these songs are often played at shows and festivals.